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Adaptation: Textual Afterlives ENGS434 Module
Adaptation: textual afterlives ENGS518 Module
Apartheid and After: Twentieth Century South Africa HIST609 Module
Atlantic Slavery: Nineteenth-Century Representations ENGS614 Module
Black British Culture ENGS519 Module
Cinematic Identities: gender, class and race MEST409 Module
Civil Rights in North America HIST626 Module
Contemporary Apocalyptic Fictions ENGS721 Module
Contemporary Caribbean Writing ENGS722 Module
Contemporary Genre: (Re)Presenting the Twenty-First Century ENGS715 Module
Contemporary Genres ENGS629 Module
Contemporary Gothic ENGS702 Module
Contemporary Literary Studies ENGS430 Module
Contemporary Literature ENGS736 Module
Creative Criticism ENGS738 Module
Creative Criticism ENGS723 Module
Creative Professional Portfolio - Pitching & Submitting CREA512 Module
Creative Professional Portfolio - The Art of Presentation CREA423 Module
Creative Professional Portfolio - The Writer & Audience CREA608 Module
Creative Professional Portfolio - Writing Industry CREA511 Module
Creative Professional Portfolio - Writing Reflections CREA422 Module
Creative Professional Portfolio - Your Creative Future CREA607 Module
Creative Writing ENGS619 Module
Creative Writing ENGS515 Module
Critical Reading 1 ENGS420 Module
Cultural Crossings: Race, Writing and Resistance ENGS625 Module
Dissertation ENGS636 Module
Dissertation ENGS703 Module
Doris Lessing: Narrating Nation and Identity ENGS701 Module
Dusk of Nations: The Fin de Siècle ENGS633 Module
Early Modern Comedy: Carnival and Desire ENGS422 Module
EH 300 Dissertation ENGS611 Module
Eighteenth-Century Fictions ENGS419 Module
ENG3: Gothic Contemporaries: Haunting, Vampirism, Transgression ENGS624 Module
English and Media Dissertation ENGS626 Module
English and Media Theory: Theory, Text, Performance ENGS508 Module
English Literature Dissertation ENGS616 Module
Experimental Writing ENGS632 Module
Haunted Narratives ENGS425 Module
Haunting the Contemporary: the Ghost Story in 20th and 21st Century Fiction ENGS704 Module
Imagining India ENGS724 Module
India Shining: Secularism, Globalization, and Contemporary Indian Culture ENGS705 Module
Interdisciplinary Theory and Practice ENGS511 Module
Interpreting New Media MEST411 Module
Intertextuality and Adaptation ENGS627 Module
Introduction to Writing Poetry ENGS423 Module
Journeys and Discoveries: Travel, tourism and exploration 1768-1996 ENGS706 Module
L5 Applied Humanities: Live-Brief Learning ENGS514 Module
Life Writing ENGS617 Module
Literature and Disability ENGS630 Module
Literature and History ENGS737 Module
Literature in Practice ENGS725 Module
Literature of the Twentieth and Twenty-First Centuries: Alienation and Dystopia ENGS505 Module
Literatures of Romanticism ENGS510 Module
Major Project ENGS726 Module
Masculinity and the Long Eighteenth Century ENGS618 Module
Media Interactions MEST412 Module
Modern American Drama ENGS615 Module
Narrative: A Short Introduction ENGS431 Module
Neoliberal Fictions ENGS708 Module
Nineteenth-Century Contexts ENGS512 Module
Other Victorians: The Neo-Victorian Contemporary Novel ENGS709 Module
Poetry ENGS426 Module
Poetry and Poetics ENGS710 Module
Politics and Culture in the Era of Depression and War HIST602 Module
Post-structuralist Theory: Foucault and Derrida ENGS711 Module
Postcolonial Cities ENGS635 Module
Postcolonial Literature ENGS522 Module
Postcolonial Writing ENGS503 Module
Postmillennial Gothic ENGS717 Module
Real Men? British Masculinities, 1850-1950 HIST604 Module
Research Module ENGS801 Module
Rewritings ENGS718 Module
Screenwriting ENGS523 Module
Sea and Society since 1750 HIST620 Module
Shakespearean Drama ENGS436 Module
Shakespearean Tragedy ENGS621 Module
Short Stories ENGS437 Module
Space-place-environment ENGS719 Module
Subjects of Elizabeth: History, Narration, Identity ENGS612 Module
Texts and Theories ENGS421 Module
The Art of Creative Writing ENGS735 Module
The Creative Writing Project ENGS628 Module
The Creative Writing Project ENGS637 Module
The Eighteenth Century: Revolutions in Writing ENGS520 Module
The Gothic: Literature, Culture, Theory ENGS622 Module
The new Yorkshire novel ENGS716 Module
The Novel ENGS435 Module
The Postcolonial City ENGS620 Module
The Twentieth Century: Alienation and Dystopia ENGS501 Module
The Victorian Novel ENGS509 Module
Theory into Practice ENGS504 Module
Translating Tricksters: Literatures of the Black Atlantic ENGS714 Module
Travel Writing ENGS631 Module
Twentieth Century Literature: Alienation and Dystopia ENGS513 Module
Twentieth-Century Women Novelists: Genre and Gender ENGS623 Module
Voice and Diversity ENGS720 Module
Watching the Detectives: Representations of Crime and Policing, c. 1850 to c. 1930 HIST507 Module
Wild Justice: Power, Violence and Identity in Revenge Tragedy ENGS634 Module
Writers' Workshop 1 ENGS432 Module
Writers' Workshop 2 ENGS433 Module
Writing America ENGS502 Module
Writing Character:Fiction, Script, Screen ENGS506 Module
Writing Drama: Stage and Sound ENGS639 Module
Writing Fictions ENGS516 Module
Writing in a Time of Violence: Literature and Politics in Northern Ireland ENGS613 Module
Writing Poetry ENGS521 Module
Writing Poetry 2: Voice and Audience ENGS507 Module
Writing Poetry: Voice and Audience ENGS517 Module
Writing the Short Story ENGS424 Module
‘Career Cartographies’: work-integrated learning in the Humanities ENGS638 Module

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